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Francisco Migoya so good #16

Hibiscus stained aloe by Francisco Migoya

Hibiscus stained aloe by Francisco Migoya

Francisco MigoyaEverything that has to do with Modernist Cuisine is already synonymous with innovation and admiration, especially since they presented their work par excellence on the science of cuisine. But now they are back in the spotlight thanks to pastry chef Francisco Migoya’s (so good #5, so good #6)  ongoing, year-long work within his team. With him they are preparing a very ambitious work that will study bread and which is scheduled for spring 2017. Such a project is so engrossing that the Mexican chef confesses using the creation of new desserts as a kind of ‘pastry therapy’. A therapy that is far from negligible, with the creative stamp of this great chef and in which there is no shortage of all kinds of innovations, personal designs, and subtle tributes to childhood products, or to favorite flavor combinations. Do not miss his oeufs à la neige, where chef Francisco Migoya proposes an interesting false meringue, less sweet and more stable than the original.

 

Aloe was a plant that my mother would use to treat minor cuts and sunburns when we were kids. But its texture is very much like cactus (nopal), which is widely used in Mexican cuisine. I first thought about using this because it reminded me of a gel I made with gellan gum, which was clear as water but could be stained with fruit juices easily. So this is a gel form nature, almost as clear as water and very easy to flavor with pretty much anything. The important part is to remove the sliminess, which can be accomplished by soaking the aloe in baking soda or in an ingredient called tequesquite which is an alkaline salt that helps remove the sliminess. Kalamansi is one of my favorite flavors and it doesn’t need much more. I do, however, like pairing sharp acidic flavors such as this with sweet, nutty flavors, which is why it had a hazelnut praline crust.